Wednesday, 16 December 2009
Christmas Break
Monday, 7 December 2009
Our Group and 4flava
Friday, 4 December 2009
Animatic
Tuesday, 1 December 2009
Our Filming
Saturday, 28 November 2009
Other music video's
Tuesday, 24 November 2009
Lessons
Monday, 23 November 2009
New Dancer
Sunday, 22 November 2009
Saturday, 21 November 2009
Tuesday, 17 November 2009
Risk Assessment
- No filming in inappropriate locations
- Check safety of locations
- Minimise risk of theft of the equipment
- When filming on location ensure teachers and a responsible adult know where you are and have your phone number and know when you are returning
- Check all equipment is working before you leave
- Ensure you have permission for filming is necessary
- Always film with at least one other person
Wednesday, 11 November 2009
Reply for permission
Filming location
Media texts
Wednesday, 4 November 2009
Feminist Film Theory & Audiences
- Laura Mulvey
- Visual pleasure and narrative cinema (1975)
The Theory
- Cinema reflects society
- Therefore cinema reflects a partiarchal society
- How does a patriarchal society manifest itself in cinema?
- FOR EXAMPLE: patriarchy and phallocentrism are linked.
- The phallus is the symbol of power
- Note how guns are used in films
- Gun = phallus = power
The Gaze
- The gaze of the camera is the male gaze
- The male gaze is active, the female gaze is passive
- Within the narrative, amle characters dorects their gaze towards female characters
Theory
- The spectator is made to identify with the male look, because the camera films from the optical, as well as the libidinal point of view of the male character
- There are three levels of the cinematic gaze - camera gaze, character gaze and spectator gaze, that objectify (sexual character) the female character (triple gaze)
- Therefore the audience is constructed as thpugh everyone was male
- women are forced to look as though they were a male audience member
Agency
- In the classical Hollywood cinema the male protagonist has agency - he is active and powerful
- He is the agent around whom the dramatic action unfolds
- The female character is passive and powerless - she is the object of desire for protagonist and audience
Erotic Disire
- Mulvey argues that women have two roles in film:
- an object of erotic desire for the characters
- as an object of erotic desire for the audience
Suture
Tuesday, 20 October 2009
Storyboard
Saturday, 17 October 2009
Gratifications Model
- It is still unclear that there is any link between the consumption of violent media texts and violent imitate behaviour.
- The theory is not proven as many people who do watch violent texta appear to be not influenced.
- Therefore a new theory is necessary....its called the uses and gratifications model.
- The uses and gratifications model us the opposite of the effects model.
- In this theory the audience is active.
- The audience uses the text and is not used by it.
- The audience uses the text for its own gratification or pleasure.
- Here the power lies wirth the audience NOT the producers.
- This theory emphasises what audiences do with media texts - how and why they use them.
- The audience is free to reject, use or play with the media meainings as they see it.
- Audiences therefore use media to gratify needs for: diversion, escapism, information, pleasure, comparing, relationships, lifestyles to ones own and sexual stimulation.
- The audience is in control and consumption of the media helps people with issues such as: learning, emotional satisfaction, relaxation, help with issues of personal identity, or issues with aggression or violence.
- Controversialy the theory suggests the consumption of violent images can be helpful rather than harmful, because the audience are in control.
- When playing violent games are not influenced to be violent but are acting out through the consumption of media violence.
- The theory suggests audiences inclination towards violence is sublimated (absorbed) and are less likely to commit violent acts.
Wednesday, 7 October 2009
New Song
Tuesday, 6 October 2009
Audience Theory
2). how do they consume the texts?
3). what happens when they consume the texts?
There are three theories that we can appl to help us come to a better understanding about the relationship between text and audience:
- the effects model or the hypodermic model
- the uses and gratifications model
- reception theory
The effects model is the consumption of media texts that have an effect or that influence upon the audience. Audiences are passive and powerless to prevent the influence and the power lies with the message of the text. This is also known as the hypodermic model, where the message in media texts are injected in to the audience by a powerful "syring-like" media. The audience is powerless to resisit, therefore the media works like a drug and the audience is drugged and addicted.
Key evidence for the effects model includes: the frankfurt school theorised in the 1920's and 1930's that the mass media acted to restrict and control audiences to th benifit of corporate capitalism and governments. The Bobo Doll experiment is a very controversal piece of research that apparently proved that children copy violent behaviour.
Examples that are sited as causing or being contributory factors are:
- film child play is argued to be the influence of the murder of Jams Bulger in 1993
- game manhunt influenced the murder of Stefan Pakeerah in 2004
- film clockwork orange for a number of rapes and violent attacks in 1971
- film severance contributed to the influence for the murder of Simon Everitt in 2006
Wednesday, 30 September 2009
Case Study
- Stefan Pakeerah was murdered on the 27th February 2004, by his friend Warren Leblanc.
- The victim's mother, claimed that Leblanc had been 'obsessed' with the game, "Manhunt" after he pleaded guilty in court.
- The game was removed from sale by some vendors, such as GAME.
- The police denied a link between the game and the murder.
- However after Leblanc was sentenced to life, it was discovered he did not even own the game, but Pakeerah did.
Monday, 28 September 2009
The effects model
This is also know as the THE HYPODERMIC SYRINGE MODEL. Here the auidence is passive. The images of the text are injected into the brain and the audience is powerless to resist.
Wednesday, 23 September 2009
Waiting.....
What works well in a music video
- directly link the video to the lyrics - make sure the story we are telling makes sense and relates to the lyrics in the song.
- Lip synching - good, in time lip synching makes the music video look more effective.
- Edit - if the editing is in time with the music, the music video will look good and professional.
- Effects - using different effects that go well, and match the story and also the lyrics of the song can improve the quality of our music video.
Music Video's
Tuesday, 22 September 2009
Waiting
Channel 4 - 100 Greatest Pop Video's
1. Michael Jackson: Thriller
2. Peter Gabriel: Sledgehammer
3. A-ha: Take on Me
4. Queen: Bohemian Rhapsody
5. Madonna: Like a Prayer
6. Robbie Williams: Rock DJ
7. Michael Jackson: Billie Jean
8. The Verve: Bittersweet Symphony
9. Madonna: Vogue
10. Nirvana: Smells Like Teen Spirit
11. Coldplay: The Scientist
12. Michael & Janet Jackson: Scream
13. Pink Floyd: Another Brick in the Wall
14. Christina Aguilera: Dirrty
15. REM: Everybody Hurts
16. OutKast: Hey Ya
17. Blur: Coffee & TV
18. Beyonce: Crazy in Love
19. Madonna: Material Girl
20. Gorillaz: Clint Eastwood
21. Queen: I Want to Break Free
22. Justin Timberlake: Cry Me a River
23. Britney Spears: ...Baby One More Time
24. Radiohead: No Surprises
25. Madness: Baggy Trousers
26. TLC: Waterfalls
27. David Bowie: Ashes to Ashes
28. Foo Fighters: Learn to Fly
29. Electric Six: Gay Bar
30. Weezer: Buddy Holly
31. Eminem: Stan
32. Chris Isaak: Wicked Game
33. U2: The Sweetest Thing
34. The White Stripes: Fell in Love with a Girl
35. Sinead O'Connor: Nothing Compares 2U
36. Red Hot Chili Peppers: Give It Away
37. Guns N Roses: November Rain
38. Fatboy Slim: Weapon of Choice
39. Pulp: Common People
40. Missy Elliot: Get Ur Freak On
41. The Spice Girls: Wannabe
42. Bjork: It's Oh So Quiet
43. Dire Straits: Money for Nothing
44. Kylie Minogue: Can't Get You Out of My Head
45. Aerosmith: Crazy
46. Adam & the Ants: Prince Charming
47. The Prodigy: Firestarter
48. Johnny Cash: Hurt
49. Jamiroquai: Virtual Insanity
50. Paul Simon: You Can Call Me Al
51. Run DMC & Aerosmith: Walk This Way
52. Massive Attack: Teardrop
53. Wham: Club Tropicana
54. Daft Punk: Around the World
55. Fatboy Slim: Praise You
56. Eminem: Without Me
57. Meatloaf: I'd Do Anything for Love (But I Won't Do That)
58. The Cure: Close to Me
59. Abba: Knowing Me, Knowing You
60. Eurythmics: Sweet Dreams
61. The Prodigy: Smack My Bitch Up
62. Blur: Parklife
63. George Michael: Outside
64. Bjork: Human Behaviour
65. Aphex Twin: Windowlicker
66. Bob Dylan: Subterranean Homesick Blues
67. The Beastie Boys: Sabotage
68. Madonna: Ray of Light
69. Frankie Goes to Hollywood: Two Tribes
70. The Police: Every Breath You Take
71. Bjork: All Is Full of Love
72. Robert Palmer: Addicted to Love
73. Basement Jaxx: Where's Your Head At?
74. Wu-Tang Clan: Gravel Pit
75. Duran Duran: Rio
76. The Beatles: Strawberry Fields
77. MC Hammer: U Can't Touch This
78. Godley and Creme: Cry
79. New Order: True Faith
80. Radiohead: Just
81. Ultravox: Vienna
82. 50 Cent: In Da Club
83. Shakespear's Sister: Stay
84. The Boomtown Rats: I Don't Like Mondays
85. Sid Vicious: My Way
86. The Streets: Fit But You Know It
87. Talking Heads: Once in a Lifetime
88. Elton John: I Want Love
89. Smashing Pumpkins: Tonight Tonight
90. The Pet Shop Boys: Go West
91. The Specials: Ghost Town
92. Herbie Hancock: Rockit
93. The Rolling Stones: We Love You
94. Bonnie Tyler: Total Eclipse of the Heart
95. The Cardigans: My Favourite Game
96. So Solid Crew: 21 Seconds
97. Cornershop: Brimful of Asha
98. Bronski Beat: Smalltown Boy
99. Supergrass: Pumping on Your Stereo
100.Musical Youth: Pass the Dutchie
Wednesday, 16 September 2009
Lesson's
Monday, 14 September 2009
Song - My Way Home
Friday, 11 September 2009
Music
Wednesday, 9 September 2009
Promo Video
- a music promo video
- up to 5 minutes long
- working on your own or up to four members
You also need to produce:
- a website homepage for the band
- a cover for its release on DVD
- a magazine advertisment for the DVD
- a critical evaluation
- on a blog
- including research and planning.